Ideas / 03
Process theatre
Every organisation of a certain size develops a specific genre of activity that looks, from the outside, exactly like rigorous process, and functions, on close inspection, almost entirely as performance. The steering committee that reviews a decision nobody on it has the context to actually challenge. The risk log, maintained faithfully, that nobody's consulted before a real risk materialised. The sign-off chain where six people approve a document in sequence, and the honest truth is that most of them are approving the fact that the person before them approved it, not the actual content underneath.
None of this is cynicism about the people involved, who are usually behaving entirely reasonably given what they're rewarded for. Process theatre survives because it's genuinely useful to everyone taking part in it, just not in the way the process claims to be useful. It provides cover. If something goes wrong later, the paper trail shows due diligence was performed, regardless of whether the diligence was ever real, and that protection is valuable enough to keep the theatre running long after everyone involved has quietly stopped believing it catches anything.
The tell, once you know to look for it, is usually speed and specificity. Genuine scrutiny slows down in proportion to actual risk, more time and challenge for the decision that could really go wrong, less for the one that clearly can't. Theatre applies the same uniform ritual regardless of stakes, because the ritual was never really calibrated to risk in the first place, it was calibrated to the appearance of having a process, which needs to look consistent to look legitimate.
Cutting process theatre out is harder than it sounds, precisely because it's disguised so well as its own opposite. The genuine version and the theatrical version can look identical on an org chart, the same steering committee, the same sign-off chain, and the only real way to tell them apart is asking, honestly, of any given step: has this ever actually changed a decision, or has it only ever confirmed one that was already made. If the honest answer is the second, you've found the theatre, wearing the process's costume.